Under the Skin (2013)
For me, the strip of celluloid is put together like a musical score, and this execution is determined by the editing; just like a conductor interprets a piece of music in rubato, another will play it in a very dry and academic manner…The images themselves are not sufficient: they are very important, but are only images. The essential is the length of each image, what follows each image: it is the very eloquence of the cinema that is constructed in the editing room.
I tend to see evil as being very powerful, but ultimately stupid. I tend to see good as powerful in a more subtle way, and ultimately the force that has all the variation and all the real excitement. I see evil as having superficial excitement, but underneath it’s dull and monotonous , and that’s where the real terror is. As Joseph Conrad said, “the only horror is that there is no horror.” That’s what I see as the basis of it.
Bob Dylan-Like A Rolling Stone (Live 1978)
The 1978 big band tour doesn’t get that much attention from fans, which is really a shame.
Dire Straits - Skateaway (Vinyl Rip) (1980)
from ”Making Movies’’
Taste the Blood of Dracula lobby card set - 1970
One Sheet for Santa Sangre’s Alamo screening. Alejandro Jodorowsky 1987